Rhymes Make Easy on the Ear

An open vowel, "I" AH "or" oh "is easier than" NN "or" RR ", even easier than" EE ".

Therefore, all sing songs that you like, "I love Herrrrrrrrrrr really."

Now this one: "I really love youuuuuuuu."

Better? Yes, it is. Now sing: "I love you I cannnnnnnnn."

Or: "I love you, yes, sir, reeeeeeeeeee."

Nobody wants you to have a long "eeeeeee" and grinning like a monkey. Also they want to hear nnnnnn a long, rather than "rrrrrrr" or "."

The youuuuuuuu "wasbeautiful. Better yet: "You know that I sooooooo love you."

Also feasible is: "I think of you and I flyyyyyyyy."

If you are not kept off the long consonants at the end of a word, baloooooooon like "In my beautiful," the vowel is a loon as possible and kept the consonant is almost never spoken. It happens like "balooooooooo." That 's understood "is.

Hank Williams sang
"Heeeeeeey! Good Lookin '!
Whaaaaaa-cha have Cookin '?
How's aboutCookin 'with something meeeeeeee? "

He emphasized the long-held notes in the two lines and on the back of the third.

I know that you only thought of the perfect line and it's really, really works with the concept of the songs, but if it is, "How does my heart burnnnnn" They want to say it: "My heart is on fire for YOUUUUUU .

Sing Songs in search of the long held notes. If they are consonants, you might want to rethink this line.

I was once asked toRewriting the second stanza for a singer. I muttered something, but in private, then he sat down to rewrite the verse. The new one was better than the old, and I was singing because it is so. The song is a double blow, although in the small market in South Africa.

The moral of this story is: no fear of rewrites. You can often better with a song as you first wrote it to rewrite.

If you have a word at the end of the line, which will be held, give yourself a nice,Harmony, not a hard consonant. Take a look at this song by the group "Bread"

If a picture is worth a thousand words, then I can not paint me, why you?
The words you'll never have I come to know
If a face could be a thousand ships, where should I go to start?
There's nobody at home, but you, you are all that's left me to
And if my love for life is running dry
They come and pour yourself on me
If a man could be two places at once, that I be with you
Tomorrow andtoday beside you all the way
If the world should stop revolving spinning slowly dying of
I'd end up with your spending and if the world is through
Then turn the stars would all go
Then you are and I just want to fly.

All stressed syllables are open and held vowels, and the resulting effect is smooth and romantic.